Queer YA Mystery Review: Last Seen Leaving by Caleb Roehrig

Last Seen Leaving by Caleb Roehrig

Published by: Feiwel & Friends

Format: mobi

Genre: Queer YA Mystery

Order at: Amazon | B&N | Publisher

Reviewed by: Alex

What to Expect: Read this book for the own-voices insight a not-yet-out teenage boy gains as he navigates the deception his girlfriend and best friend created while trying to protect the status quo.  Read More

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Urban Fantasy Buddy Review: The Year of the Knife by G.D. Penman

The Year of the Knife by G. D. Penman

Published by: Meerkat Press

Format: mobi

Genre: Urban Fantasy/Mystery

Order at: Publisher | Amazon | B&N

Reviewed by: Edwin & Alex

What to Expect: Fun, ambitious, mostly successful queer urban fantasy featuring a kickass heroine, tons of magic, and an alternative history of the good ol’ US of A. Read More

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Surprise! Anyta Sunday’s Leo Loves Aries is Free!

Hi all! Judith here!

Now it’s no secret that I absolute love-love-LOVE contemporary New Adult novels. Everything about them is my cup of tea: the fact that they touch on that tenuous time of life when who we are as people is forming, that there is an awakening of all the senses and ideas, that we are growing and adapting as people…all of it just calls to me. I love the notion that we are still malleable and open to new ideas in our early 20s, that we are not stuck but adaptive outside of childhood.

So today, I have to share something amazing with you all: one of my favorite contemporary queer New Adult novels is actually free! That’s right, F-R-E-E for today only! Read all about it after the jump… Read More

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Contemporary Romance Review: Illegal Contact by Santino Hassell

Illegal Contact by Santino Hassell

Published by: InterMix

Format: mobi

Genre: Contemporary Sports Romance

Order at: Amazon | B&N | Publisher

Reviewed by: Alex

What to Expect: It’s Santino Hassell. What do you think you’re gonna get? You’re going to get hot, snarky, sarcastic dudes making you wish your AC went up to eleven. Or, maybe fifteen. So what’s different? This is the series that could have the tagline: Tight End Seeks Same.

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Guest Post: How Much Does a Bear Weigh? (And Other Things a Novelist Needs to Know) by Alysia Constantine

 How Much Does a Bear Weigh? (And Other Things a Novelist Needs to Know) by Alysia Constantine

My Google search history and my little notebook of Things to Remember have become quite amusing reads this year. My second novel, Olympia Knife, tells the story of a woman who grows up in a travelling circus in early 20th Century America, and in researching that book (even if it was often only on Google and not through airless hours in the library, as I was trained for), I wound up seeking the answers to a hundred little questions that presented themselves: how much would Viselik, the trained bear, weigh? How many of those mean, alcohol-soaked clowns could fit into a clown car, and is it a special car? When was the circus canon invented (in case I want to shoot a character out of one)? How do you swallow a sword?

Since the novel takes place in the early 20C, this research was made ever more important by my need to be historically accurate. I also wound up researching period circus costumes, customs of the time and early 20C American slang. (My favorite discovery: “It’s all jake,” as in “everything’s cool”.) I even found myself trying to figure out when folks in the U.S. started saying “OK.” (In case you need to know, it was originally a joke in Boston ‘round about the 1830s… cool Bostonians liked to abbreviate everything—“That’s an NG” instead of “That’s a no-go”, for instance—and OK stands for “Orl Korrect,” which is the 1830s Bostonian’s Intentional Silly-Talkin’ way of saying “All Correct.”)

My point, I suppose, was that the old saw “write what you know” will only get you so far. In my case, it means all my novels would be about middle-aged, fat, disabled, white, first generation, lesbian professors who live in New York and have two dogs. That would dubiously be good for one novel, but after that, one probably must move on. On the other hand, I’ve never been interested in “historical fiction,” either—like sci-fi, much of it seems too caught up in the details of the unfamiliar world, and privileges those details over good, strong characters, beautiful language and sensory detail (the good stuff, of course, doesn’t… hence my love for Octavia Butler).

So how does one strike the balance between research and writing when one’s writing something creative? It’s a version of that same predicament about whether good writing requires routine and diligence or inspiration. (I cannot count how many people, upon hearing that I write novels, have made the assumption that I sit around eating bonbons and waiting for inspiration to strike. I must then explain that if I did that, I’d never write anything at all, because I usually find other things—things that don’t feel like work, like sorting through my fourth-grade papers or arranging my socks—more inspiring, and that writing, at least for me, is work and often an unpleasant task I must make myself do on the regular by, usually, sitting at my laptop for a prescribed 6 hours a day.) Eating bonbons is pretty good, too—as long as I’m also working.

What I’ve finally discovered, well into my forties, is that for me, writing works best as a tightrope walk balanced between inspiration and routine: I must get myself inspired within the confines of a routine. Research helps with this—I can spend hours flipping through pictures of early 20C circus performers, or reading about the history of poi spinning (that’s twirling stuff, often stuff on fire, for you uninitiated folks). But if I limit myself to twenty minutes of research, which must be followed by an hour of writing, I have the inspiration I need to feed me in the drudgery, and the structure to make sure the drudgery gets properly drudged.

Here’s the disenchanting, unromantic truth: writing is usually neither fun nor magical nor John-Berryman-wild-eyed-crazy-inspired. Writing drunk or high doesn’t usually make for good writing, either, at least in my experience. (Lots of writers wrote in spite of drinking or drug use, not because of it.) Dead Poets Society got it 100% wrong: writing is work, often unpleasant or tough or boring or just unrewarding in the moment, and rarely does it involve standing on your chair and bursting with emotion and quoting Whitman. And almost never does a writer get to witness the effects of the writing (except when a reader makes the effort to find her and tell her about it, ahem, friends).

I’m not trying to make writing sound more difficult than it is, or more important, I’m simply trying to demystify it here.

It’s the same thing I had to learn when writing about circus stuff, too: I was really drawn to writing about trapeze performers and fat ladies and bear trainers, but what I found was that the more real I made these characters, the more I had to think about what people threw at Minnie the Fat Lady while she was on stage (newspaper, rocks and hair pins, mostly), or whether Samu slept in his bear Viselik’s cage at night (yes, he did). I also figured most of their costumes smelled like sweat, and the air around the Flying Knifes was always filled with chalk dust from their hands. And the clowns were mean and cliquish and a little bit ominous.

Oh—and in case you were wondering and your Googling finger is broken, the answers to the questions I began with are, in order: about 400 pounds; between 14 and 21 clowns in a car without seats; the first human canon ball performed in 1877.

And how do you swallow a sword? Very carefully.


Alysia Constantine is the author of the novels Sweet (2016) and Olympia Knife (2017). She lives in the lower Hudson Valley of New York with her wife, two dogs, a cat, and a cucumber vine that has completely taken over the garden and produces ridiculous, armlength cucumbers.

Her next book is Olympia Knife. It will release on 11/3/17:

Born into a family of flying trapeze artists, Olympia Knife has one small problem: When her emotions rise, she becomes invisible. Everyone in the traveling circus has learned to live with this quirk; they banded together to raise Olympia in a loving environment when her parents vanished midair during their act, never to return. But the same fate befalls Arnold, the world’s shortest man, followed by one act after another, until the show is a crumbling mess of tattered tents and terrified troupers. Into this chaos walks Diamond the Danger Eater. Olympia and Diamond forge a friendship, then fall in love, and, together, resolve to stand the test of time, even as the world around them falls apart.

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Sounds Like Halloween: Day 18 with Daria Defore

Daria Defore join Sounds Like Halloween with a reading from the fantasy Romance, Sparkwood.


About Sparkwood:

Finn Bricket has never trusted fairies, and it’s no surprise to him when his twin brother Luke turns up dead, probably by magical means. What he doesn’t expect is an invitation to the funeral—in the fairy realm—and a chance to find out who killed him.

On the way he meets Robin, a fairy who’s supposed to be watching out for him—and who Finn instantly hates. Despite the tension between them, Robin is also upset by Luke’s death and wants to make things right.

Before long they’re looking for clues and up to their necks in fairy trouble, and maybe not even Robin’s magic can save them.


About Daria Defore:

Daria Defore is a writer by night, and a video producer by day. She’s been writing ever since she was a kid, and vividly remembers that her first story was about visiting Santa Claus and getting a pet dinosaur. Now she writes filthy romance instead.

Daria is a Washington transplant living in New York City. She has a tendency to set stories in her beautiful home state. She loves reading, cups of coffee in multiples of ten, and being bullied to write more.


Learn more about the Sounds Like Halloween audio series, including authors taking part & what you can expect, here.

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Sci-Fi Fantasy review: Dalí by E.M. Hamill

Title: Dalí by E.M. Hamill

Published by: NineStar Press

Format: Mobi

Genre: Queer SFF

Order at: Amazon | Barnes and Noble | Publisher

Reviewed by: Alex

What to Expect: When we meet Dalí Tamareia, they’re like Princess Leia combined with Han Solo in that first moment they met, except with more drugs, more sex, more implants, and more time in emergency care than a Sol Fed Ambassador should have to endure. This sci-fi novel goes fast and, damn, is it good.

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Fantasy Review: The Glamour Thieves by Don Allmon

The Glamour Thieves by Don Allmon

Published by: Riptide Publishing

Format: eARC

Genre: Queer SF/Fantasy

Order at: Publisher  |  Amazon  |   B&N  |  Kobo

Reviewed by: Edwin

What to Expect:  A fast-paced, well-written SF/Fantasy heist story, packed with action and sex.

Check out Don Allmon’s guest post “One Handed Writing” to learn all about what drove him to write The Glamour Thieves. Hint: it’s not what you think it is. 

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Science Fiction Romance review: Rogue Wolf by Elliot Cooper

Rogue Wolf by Elliot Cooper

Published by: Self-published

Format: eARC

Genre: Science fiction/queer romance

Order at: Amazon | B & N Kobo

Reviewed by: Edwin

What to Expect: Short, sharp, entertaining caper with a good romance and some interesting sci fi ideas. Read More

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Historical YA Review: A Gentleman’s Guide to Vice and Virtue by Mackenzi Lee

A Gentleman’s Guide to Vice and Virtue by Mackenzi Lee

Published by: HarperCollins

Order at: Publisher | Amazon | B&N

Format: e-ARC

Genre: YA historical fantasy

Reviewed by: Moog

What to expect: Queer historical YA full of simmering heat, loads of pining, and an irascible main character you will both love and be exasperated by in equal measure.

Bonus: Check out our exclusive interview with Mackenzi Lee and enter to win a paperback ARC of The Gentleman’s Guide to Vice and Virtue!
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